A scientist who swore off playing chess after a nervous breakdown as a boy wunderkind, creates an undefeated chess program. But the Russian world champ beats Tommy Rosemund's masterwork in a televised match. So the West German mathematician becomes a top chess pro himself, which the West German media boast will prove the superiority of Germany and democracy. The jowly, white-faced Rosemund believes that the entire Red Communist bloc is out to stop him from vanquishing their atheist pretty boy, Stefan Koruga, to become the next Bobby Fischer and a symbol that capitalism is preferable to socialism.

Two men identified only as Black Man and White Man start the film as a discussion over a speech on race to be given at school the next day and escalates into an argument about the differences in the races - moving along all of the cultural lines and finding mutual fears and concerns.

A painter with a turbulent history, fiercely committed to his ideals and still averse to settling down despite his 70 years; a lawyer who packed in his job after suffering a heart attack and now pursues a quiet life looking after his pet snail; a doctor already disenchanted with his profession and now discarded by his wife; a career woman braving life on her own, who has made loneliness a life style. These characters are all patrons of Black & White, an Ankara bar that has been around for 25 years, and in a sense the bar is their last haven. The owner, meanwhile, is the irritable, easily offended but utterly lovable Faruk... Black & White is a film about the awareness of growing old, friendship, sensitivity and the finer details of life.

Reuben, an African student at Novi Sad University, returns from his visit to his parents.

They were two hobos, black and white, master and man, a regular slave driver white, while black went off for the eats. But Cleopatra and her sweet-potato pies ended the despotism. She saved the "lovin' man" of her race. Tabasco and an officer of the law did it, while white made a fast retreating speck up the track.

A saga in four episodes that plunges us into the Dakar of the end of the 1930s and up to 1960. A story of passion at a time when life was lived to the rhythm of love, hate and war.

Mickey struggles with his fear of scary movies, but concedes to go to one with Minnie. However, when he gets to the theater and the movie starts, the real battle begins.

By creating a counterpoint between the older residents who inhabit Split’s market square during the day and the young people who party there at night, director Lordan Zafranovic and editor Ivan Martinac tell the story of one of the most important spaces of Split’s social life.

Three recovering heroin addicts try to make a new start.

After his mother's suicide, Tufan settles in Izmir and years later is forced to return to his birthplace to settle inheritance matters. In the village, he learns that his childhood friend Gülşen is locked in the barn at night due to her multiple personality disorder. Although he tries to rescue her, he encounters the village's oppressive understanding of “honor.” During this process, he confronts the wounds he carries from his mother's legacy and takes an active role by establishing a cooperative in the village, but things do not turn out as he hoped.